a glimpse
a reminder that we live in parallel
and an invitation to notice it
airport is a place and not a place

between countries
between realities
between different phases of life

some are leaving | some are arriving
for some it is routine | for some it is home
a transition | place from A to B
sometimes planned | sometimes urgent
there is also another transition:
that light state of half-sleep during flights
when we fall asleep or daydream
sound is the last sense to fade
this performance creates a small space
where sound becomes a gate you pass
not an interruption
not a spectacle
but a shift in attention
a way to recognize
that many lives move next to each other
at the same time
in the same structure

The trilogy’s title refers to Brian Eno’s Music for Airports, the work that helped define and consolidate ambient music as a genre, and affirmed the idea of music as an environment.

As we arrive and depart, passing through places familiar or unknown, we carry their memory with us. By creating a sonic and visual structure within a specific public place such as an airport, we seek to enrich this pattern of memory and the very sense of arrival not only as a physical event, but also as an inner, psychological moment of orientation.

The airport is a place of cycles: reunion and separation, waiting and circular movement, repeated routes and recurring procedures.

The sound in this project is based on rhythmic cycles found in nature and on temporal structures. The visual composition foregrounds the natural artefact, as it emerges through perception and experience, shaped by memory and time rather than fixed meaning.

The form of the performance is calm and extended.
It exists naturally within the flow of the arrivals area.

As a strategic partner of hosq Foundation, the Yerevan State Conservatory plays a key role in the realization of the first performance of the trilogy. The featured artists are students and alumni of the Conservatory, invited to engage with contemporary musical practices outside traditional concert settings.

By placing young musicians in a public environment such as the airport, the project opens new professional horizons and offers a rare opportunity to perform contemporary music in dialogue with everyday life and movement.

Through this partnership, hosq and the Conservatory jointly support the development of emerging artists, encouraging them to explore new formats of listening, authorship, and presence: where performance becomes part of a shared sonic and social experience rather than a closed event.


This collaboration creates a bridge between academic musical education and experimental.